Journal publications + Book chapters
Forthcoming / Published
Scarratt, R., J, Heggli, O. A., Vuust, P. & Sadakata, M. (2023 ). Music that is used while studying and music that is used for sleep share similar musical features, genres and subgroups. Scientific Reports 13, Article number: 4735.. DOI: 10.1038/s41598-023-31692-8
Hiemstra, A. & Sadakata, M. (online first, 2023 ). Examining the Interaction Between Motor Development and Early Violin Learning. String Research Journal.
Sadakata, M., Yamaguchi, Y., Ohsawa, C., Matsubara, M., Terasawa, H., von Schnehen, A., ... & Sekiyama, K. (2022). The Japanese translation of the Gold-MSI: Adaptation and validation of the self-report questionnaire of musical sophistication. Musicae Scientiae, 10298649221110089., https://doi.org/10.1177/10298649221110089
Yamashita, M., Ohsawa, C., Suzuki, M., Guo, X., Sadakata, M., Otsuka, Y., Asano, k., Abe, N., & Sekiayama, K. (2022). Neural advantages of older musicians involve the cerebellum: Implications for healthy aging through lifelong musical instrument training. Frontiers Human Neuroscience, https://doi.org/10.3389/fnhum.2021.784026
Golz, F. & Sadakata, M. (2021). Do you listen to music while studying? A portrait of how people use music to optimize their cognitive performance. Acta Psychologica. https://doi.org/10.1016/j.actpsy.2021.103417
Terasawa, H., Matsubara, M., Goudarzi, V., & Sadakata, M. (2021). Music in Quarantine: connectinos between changes in lifestyle, pyschological states, and musical behaviours during COVID-19 pandemic. Frontiers in Psycology: Cultural psychology. DOI=10.3389/fpsyg.2021.689505
Chen, A., Çetinçelik, M., Roncaglia-Denissen, M. P. & Sadakata, M. (2021). Native language, L2 experience, and pitch processing in Music. L1 and L2 experience on pitch processing.
Sadakata, M., Weidema, J., & Honing, H. (2020). Parallel pitch processing in speech and melody: A study of the interference of musical melody on lexical pitch perception in speakers of Mandarin. Plos One.
Sadakata, M. (2020). Transfer of learning between Music and Language ("Ongaku to Gengo no Gakushu Tenni") & Cagetorical perception of musical rhythms ("Rizumu no Kategori Chikaku"). In K. Ohgushi, S. Kuwano, S. Namba (Eds.) Handbook of Music Perception and Cognition "ongaku chikaku ninchi handbook: ongaku no fushigi no kaimei ni idomu kagaku" , in Japanese
Groenveld, G., Burgoyne, J. A., & Sadakata, M. (2019). I still hear a melody: investigating temporal dynamics of the Speech-to-Song illusion. Pscyhological Research https://doi.org/10.1007/s00426-018-1135-z
Thorin, J., Sadakata, M., Desain, P., & McQueen, J. M. (2018) Perception and production in interaction during non-native speech category learning. Journal of Acoustical Society of America, 144, 92. https://asa.scitation.org/doi/10.1121/1.5044415
Smit, E. & Sadakata, M. (2018). The effect of handedness on spatial and motor representation of pitch patterns in pianists, PlosOne. https://doi.org/10.1371/journal.pone.0195831
Weijkamp, J. & Sadakata, M. (2016). Attention to affective audio-visual information: comparing individuals with varying musical experience. Psychology of Music. doi: 10.1177/0305735616654216
Roncaglia-Denissen, M. P., Roor, A. D., Chen, A., & Sadakata, M. (2016). The enhanced musical rhythmic perception in second language learners. Frontiers in Human Neuroscience. doi: 10.3389/fnhum.2016.00288
Hansen, N. C., Sadakata, M. & Pearce, M. (2016). Non-linear changes in rhythmic variability of European art music: Quantitative support for historical musicology, Music Perception.
Honingh, A., Panteli, M., Brockmeier, T., Iñaki López Mejí, D., & Sadakata, M. (2015). Perception of timbre and rhythm similarity in Electronic Dance Music. Journal of New Music Research.
Schaefer, R., Beijer, L. J., Seuskens, W., Rietveld, T. C., and Sadakata, M. (2015). Intuitive visualization of pitch and loudness in speech. Psychonomic Bulletin & Review.
Sadakata, M., Shingai, M., Sulpizzio, S., Brandmeyer, A., and Sekiyama, K. (2014). Language Specific Listening of Japanese Geminate Consonants: A Cross-linguistic study. Frontiers in Psychology, 5:1422. doi: 10.3389/fpsyg.2014.01422.
Saddakata, M. & McQueen, J. (2014) Individual aptitude in Mandarin lexical tone learning predicts effectiveness of high-variability training. Frontiers in Psychology, 5, 1318. doi: 10.3389/fpsyg.2014.01318.
Timmers, R., & Sadakata, M. (2014). Training expressive performance by means of visual feedback: existing and potential applications of performance measurement techniques. In Fabian, D., Timmers, R., and Schubert, E. (Eds), Expression in Music Performance.
Brandmeyer, A., Sadakata, M., Spyrou, L., McQueen, J. M., & Desain, P. (2013). Decoding of single-trial auditory mismatch responses for online perceptual monitoring and neurofeedback. Frontiers in Auditory Cognitive Neuroscience. doi: 10.3389/fnins.2013.00265.
Sadakata, M., & McQueen, J. M. (2013). High stimulus variability in non-native speech learning supports formation of abstract categories: Evidence from Japanese geminates. Journal of Acoustical Society of America, 134 (2), 1324-1335. [PDF]
Timmers, R., Sadakata, M., & Desain, P. (2012). The Role of Visual Feedback and Creative Exploration for the Improvement of Timing Accuracy in Performing Musical Ornaments, Music Perception, 30(2). 187-204.
Sadakata, M., & Sekiayama, K. (2011). Enhanced perception of various linguistic features by musicians: a cross-linguistic study, Acta Psychologica,138, pp.1-10.
Brandmeyer, A., Sadakata, M., Timmers, R., & Desain, P. (2011). Learning expressive percussion performance under different visual feedback conditions. Psychological Research, 75, 2, pp. 107-121.
Schaefer, R., Farquhar, J., Blokland, Y., Sadakata, M., & Desain, P. (2011). Name that tune: Decoding music from the listening brain. Neuroimage, 56(2), pp. 843-849.
Sadakata, M., Hoppe, D., Brandmeyer, A., Timmers, R. & Desain, P. (2008). Real-Time Visual Feedback for Learning to Perform Short Rhythms with Variations in Timing and Loudness. Journal of New Music Research, 37, pp. 207-220.
Sadakata, M., Desain, P. and Honing, H. (2006). Bayesian way to relate rhythm perception and production. Music Perception, 23, pp. 267-286.
Hoppe, D., Sadakata, M., & Desain, P. (2006). Development of real-time visual feedback assistance in singing training: a review. Journal of computer assisted learning, 22, pp. 308-316.
Sadakata. M., Ohgushi, K., & Desain, P. (2004). A Cross-cultural Comparison Study of the Production of Simple Rhythmic patterns. Psychology of Music 32, pp. 389-403.
Conference papers (refereed)
Hoffmann, C. W. G., Sadakata, M., Chen, A., Desain, P., & McQueen, J. (2014). Within-Category Variance and Lexical Tone Discrimination in Native and Non- Native Speakers. In proceedings of 4th International Symposium on Tonal Aspects of Languages (TAL-2014), 45-40.
Kooiker, B., & Sadakata, M. (2014). Gesture Detection and Recognition by Repetition for Expressive Control. In proceedings of the 26th Benelux conference on Artificial Intelligence (BNAIC2014), 57-64.
Sadakata, M., Spyrou, L., Shingai, M., & Sekiyama, K. (2013). Composing auditory ERPs: Cross-linguistic comparison of auditory change complex for Japanese fricative geminate consonants. Proceedings of the Interspeech 2013.
Grootswagers, T., Dijkstra, K., ten Bosch, L., Brandmeyer, A., & Sadakata, M. (2013). Word Identification using Phonetic Features: towards fMRI brain reading. Proceedings of the Interspeech 2013.
Sadakata, M., Shingai, M., Brandmeyer, A., & Sekiyama, K. (2012). Perception of the moraic obstruent /Q/: a cross-linguistic study. Proceedings of the Annual Conference of the International Speech Communication Association (Interspeech 2012), Portland, US.
Sadakata, M. & J. M. McQueen (2011). The role of variability in non-native perceptual learning of a Japanese geminate-singleton fricative contrast. Proceedings of the Annual Conference of the International Speech Communication Association (Interspeech 2011), pp.873-876, Florence.
Sadakata, M., van der Zanden, L., Sekiyama, K. (2010). Influence of musical training on perception of L2 speech. Proceedings of the Annual Conference of the International Speech Communication Association (Interspeech 2010), pp. 118-121, Makuhari.
Sadakata, M., & Desain, P. (2007). Relating perception and production of simple rhythmic patterns explanation of the regression effect. Proceedings of 23rd meeting of the International Society for Psychophysics (Fechner day), pp. 433-438, Tokyo.
Brandmeyer, A., Timmers, R., Sadakata, M., & Desain, P. (2007). Real-time visual feedback in music pedagogy: Do different visual representations have different effects on learning. Proceedings of 8th Conference of SMPC, pp. 37-38, Montreal.
Sadakata. M., Desain, P., Honing, H., Patel, A. D., & Iversen, J. R. (2004). A cross-cultural study of the rhythm in English and Japanese popular music. Proceedings of the International Symposium on Musical Acousitcs (ISMA), pp. 41-44, Nara.
Sadakata, M., Desain, P., Honing, H., Patel, A. D., & Iversen, J. R. (2003). An analysis of rhythm in Japanese and English popular music. Proceedings of the Annual meeting of the Japanese Society for Music Perception and Cognition, pp. 49-52, Tokyo.
Conference abstracts (refereed)
Sadakata, M., Koning, M., & Ohgushi, K. (2016) Comparative judgements of two successive pitch intervals. ICMPC14, San Fransisco, July 5-9.
Cornelissen, B., Sadakata. M., & Honing, H. (2016) A classification approach to the speech t os ong transformation. ICMPC14, San Fransisco, July 5-9.
Chen, A., Roncaglia-Denissen, P., Roor, D., & Sadakata, M. Cross-domain pitch perception, the influence of native language background.
Conference papers (non-refereed)
Sadakata, M., Desain, P. & Honing, H (2002). The relation between rhythm perception and production: towards a Bayesian model. Transaction of Technical Committee of Psychological and Physiological Acoustics, Acoustical Society of Japan, 32 (10), pp. 59-63, Fukuoka.
Sadakata, M., Ohgushi, K. & Desain, P. (2002). A cross-cultural comparison study of the production of simple rhythmic patterns. Proceedings of International Conference of Auditory Display 2002 RenCon Workshop, Kyoto.
Sadakata, M. & Ohgushi, K. (2001). Cross-cultural comparison of simple rhythm production. [Tanjun na rizumu patan no ensoukeikou no kokusai hikaku]. Proceedings of the annual meeting of the Japanese Society for Music Perception and Cognition, pp. 53-60, Osaka.
M. Sadakata & Ohgushi, K. (2000). Comparative judgements pitch intervals and an illusion. [Ontei no hikakuhandan to sore ni tomonau sakkaku genshou]. Proceedings of the Annual meeting of the Japanese Society for Music Perception and Cognition, pp. 35-42, Sendai.
Popular press
Arbo-online (2013, Sept, 2) I was interviewed about Music and Productivity(Minder Productief met koptelefoon op kantoor)
Malou van Hintum (2011, July, 2). Muziek ZIEN. Volkskrant. Zaterdag bijlagen, p.1.
NWO (2007, Juni). Muziekritme in beeld gebracht. Synthese NWO-jaaroverzicht 2006, pp.36.
van Suchtelen, P. (2007, March 16). Muziek volgens je moedertaal, Spits, pp.15.
van Suchtelen, P. (2006, Devember 21). Muziek volgens je moedertaal, Kennislink.nl.
van Maris, B. (2006, December 9). Lettergreepritme: de moedertaal bepaalt het ritmegevoel, NRC Handelsblad, pp. 51.
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